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Venerable slanting penjing



NORTHERN SU  SCHOOLS  &  EASTERN SU  SCHOOLS



  • Yangzhou - Styles include:

                                           Platform, Ingenious or Delicate Cloud,

                                           Pagoda & Three-Winding

  • Tung - Styles include:

                                           Coiled & Dancing Dragon



WESTERN SU  SCHOOLS



  • Suzhou - Styles include:

                                            Six Platforms, Three Bases & One Top,

                                            Tree Branches Overhanging a Cliff,

                                            Split Trunk, Screen, Following the Wind,

                                            Aslant & Supine, Erect with Spreading

                                            Foliage, Phoenix & Crane on Pavilion and

                                            Pagoda.


  • Shanghai


  • Nantong


  • Zhejiang - Styles include:

                                            Tall Trunk & Forest


  • Hunan - Styles include:

                                             Hanging Cliff


  • Hubei  - Styles include:

                                             Flat-Top


  • Henan - Styles include:

                                             Flat-Top


  • Shandong


  • Laoining


  • Jilin



SICHUAN (CHUAN) SCHOOL

                 - Styles include:

                                              Straight, Reclining & Slanting Trunk

                                              Hanging Cliff & Earthworm



SOUTHERN SCHOOLS



  • Lingnan Styles include:

                                               Ancient Tree, Large or Tall Tree,

                                               Towering Tree & Five-Tree


  • Fugian


  • Guangxi 




These six penjing schools, largely based on regional variations which emerged during the late Ming and Qing Dynasties, c.17th century;

are no longer a major influence and there is a return to the original free-spirited kinds of penjing traditionally created by scholars.


Their creations instead, reflected literati backgrounds and were never confined to rigid patterns, but rather sought expression emanating from Chinese paintings.









 
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